This is a very black, dark book. This is not a book for kids, nor is it a book for people who haven't read anything by Ellison previously. Harlan Ellison is one of those rare writers that can finish a story so powerfully, that you'll feel like you've been literally stabbed in the heart. Like many of Ellison's short story collections, he deals with a specific theme. In this book, he writes short stories about gods, in all their myriad shapes and forms. Gods of machines, pain, rocks, speed, revenge, among others. Of the 19 stories in this collection, let me tell you what I consider to be the best. THE WHIMPER OF WHIPPED DOGS: Ellison's award-winning retelling of the Kitty Genovese incident. Never heard of Kitty Genovese? Don't worry, after reading this chilling tale, you'll make sure you remember. BASILISK: A traitor to his country comes home and finds that he is not welcome. A little confusing at first, but you'll soon get the hang of it. PRETTY MAGGIE MONEYEYES: Don't let the strange title deceive you. This is Ellison in TOP form. Ever wondered what gods reside at the casinos and what they have in mind. It's not PRETTY, I can assure you. ERNEST AND THE MACHINE GOD: An easy-to-visualize story about a girl in a car-accident and her meetings at a gas station. ADRIFT OFF THE ISLETS OF LANGERHANS . . . : Another award-winning story about a man trying to find the geographical location of his soul. THE DEATHBIRD: Still another award-winner. This one is Ellison's retelling of Genesis. This story has a very innovative structure to it. You'll see what I mean, when you buy this book.

This collection groups nineteen of Ellison's stories dealing with subjects such as gods spirits and suchlike. In former times, people created numerous gods and spirits for just about every aspect of their lives. Gods for thunder the moon and the sea. Spirits and Ghosts living in caves, rivers etc. What if we still felt the need to invent and invoke such gods and spirits today? What would they be like? A god for machines? A spirit in a slot machine? A demon ruling over violent crime? These are the subjects that Ellison deals with in this collection of stories.

The book straddles the boundaries between science fiction, fantasy and horror and as such it will not satisfy SF purists but it does contain a number of very powerful stories. The opening tale, "The Whimper of Whipped Dogs" is a shocking and worrying take on the cruelty of city violence. It is followed by "Along the Scenic Route" in which modern day knights in armour fight their jousts to the death on the public highway. Those two, along with "Ernest and the MachineGod", "Basilisk" and "Deathbird" are my favourites but they are not the only stories to leap off the page and grab hold of your imagination. There are some weaker tales here too but they are outnumbered by the good ones.

I'd not recommend this as an introduction to Ellison. The anthology "The Essential Ellison" fills that role perfectly but, if you read and enjoyed that, you will like this book. If you like this book, I'd recommend Ellen Datlow's themed anthology "Alien Sex" though not her rather weak follow up.

In "Deathbird Stories", Harlan Ellison summons a variety of deities and demons that spring from the ghetto to the battlefield to a dying Earth. Bookended by 2 great pieces, Ellison tackles the creation of gods for the late 20th century, effectively blending fanatasy, horror and faith. Beginning with the gripping "Whimper of Whipped Dogs" to his magnum opus, "The Deathbird" (in which he combines "Old Yeller" with a retelling of the book of Genesis) with a mixture of the bizaare (Shattered Like a Glass Goblin) to the very good (Paingod) in between.

The Bluejay Books hardcover is THE essential version of these stories to have, with meticulously edited text and the great cover painting of the Deathbird.
I highly recommend this sadly out-of-print collection to anyone with a equal feel for sci-fi/fantasy and religion.

If you've ever kept a scrapbook of old photographs, you'll understand the fascination of this collection. Instead of grandmothers, aged aunts or toddler cousins, this book reveals life from the dimmest past. With photographs and drawings, Briggs and his colleagues have restored to view rare animals that lived in ancient seas. These are our earliest forebears, and for that reason alone, this book is worth repeated scrutiny. The images, with their stories of discovery and restoration, are offered in a spirit of shared discovery. These are very special creatures and it behooves us all to understand their value.

Although the book is targeted for professional paleontologists, the authors give us text nearly as illustrative as the images. They are part of the team who personally enticed many of these fossils from their lithic prison. Beginning with an account of Charles Woolcott's trek into the mountains of British Columbia, they go on to describe the environment in which these creatures lived. The significance of the Burgess Shale fossils, of course, is that they are images of soft body parts, usually lost as fossilization proceeds. At the time of the original find in 1909, such artifacts, especially ones of such ancient deposition were pricelessly rare. Woolcott himself understood their value to science, but never dedicated the necessary time to tease out their full secrets. It took Briggs and others, particularly Simon Conway Morris to apply the painstaking effort to recreate the body forms locked in the shale. In so doing, they overthrew a number of blithe assumptions made by a number of commentators, in particular Stephen J. Gould who had popularized the Shale finds, but sadly misinterpreted what they represent.

As you slowly turn over the pages of this book, reflect on the vast ages separating you from these creatures. The sea has always kept some bizarre secrets, but few can match the multi-spined Hallucegenia or mud-burrowing Ottoia. Haplophrentis might be mistaken for a Roman dagger lost in the sea until you read that its maximum length was but 30 millimetres long. A more formidable denizen of these waters is the Anomalocaris, with its hooked feelers and rasping mouth. Swimming in a sea with this half-meter long predator might not have been dangerous, but observing it might best be done from the beach.

This book is a clearly valuable contribution to our understanding of life's history and the process of evolution. It belongs on the shelf next to the other albums of family history. Take it down from time to time and simply open it at random. With half-closed eyes it isn't difficult to see these creatures in their daily lives, clutching rocks, swimming through the water, or burrowing into the bottom. They are your forebears, and deserve as much of your respect as does Aunt Matilda.

This is a wonderful book. It is chock-full of photographs of Burgess shale fossils. The photographs are full page photographs and are accompanied by drawings that illustrate what the plant or animal probably looked like. The text is informative and easy to follow for a layperson.

"The Fossils of the Burgess Shale," the non-geologist will find this book fascinating and understandable - yet the author did not "water down" the facts for those of us who have the technical background in the fields of geology and paleontology. The only drawback of the book was that some of the species listed in the back were not included in the pictorial portion of the book. I do understand that if Briggs had placed them all in the book the volume would have been over a 1,000 pages in length; however, several of the species not included are equally spectacular!

The first third of the book provides a brief history of the site and it's significance within Cambrian paleontology; the remaining two-third portion of the book provides clear photographs and line drawings of the animals entombed in this special location. I have used this book in teaching about the Cambrian explosion. Students were awed by the content of the book. If you are interested in invertebrate paleontology; this book is a must!

This is a must-read book for anyone interested in any of the following topics: African-American History, hunting, Theodore Roosevelt, Southern History, the Civil War, and William Faulkner. As an avid Faulkner reader, I cannot help but conclude that Holt Collier is the real-life person upon which the pivotal character of Sam Fathers is based. Beyond this observation, the book is well researched and is an excellent read. You will not be disappointed. HOLT COLLIER deserves a wide audience and should be assigned reading.

Brilliantly written non-fiction biography using countless primary sources. An amazing new character never before presented to the general public. If this book had not been sent to me as a present I would have never heard of it. Apparently it has been sold only as a regional book, but I can assure any reader, it will have a national following in due course. Very highly recommended. Well worth the read. You will come away from this book thinking about it for weeks, and frankly, you will soon pick it up to read it again.

As a history major in college I developed a taste for the truth that can only be found in biographies. Over the years I have kept a small library in my home and under my bed to read at night, prior to retiring. The book by Mr. Buchanan is a detailed, accurate account of this man and his relationships to the men around him and his world. Being a product of the Mississippi Delta, I can see Holt Collier in the deep bayou's of the old Delta, hunting the bears. I admire the writer's style in his ability to place me there beside Holt all along the way in this book. There, in the realities of Holt's world, the reader walks his paths, thinks his thoughts, and feels the anger he feels.

Finally I would like to thank Mr. Buchanan for this effort and look forward to seeing more of his work in the future.

From the title to the last pages, this book was comforting and a must read for anyone dealing with the loss of a child. It is well-written, funny, and pulls at your heart strings. Thanks Judy and Kyle for sharing your story!

I would like to recommend this book, "Quit Kissing My Ashes" by Judy Collier. It is a "Must Read" for anyone who has lost a child. I lost my child in August of 2001. Reading this book convinced me that I was not going "crazy" receiving my "angel" signs from my little Christie. This book only proves that our loved ones are with us all the time, and our signs, no matter what we feel or believe, let us know that our children stay with us, even when they have "crossed over" to the other side. Judy Collier relates to her readers all her signs she and her family have received from her son, Kyle. Judy lets everyone know that there is life after death, and if a person truly believes and lets themselves feel, that these signs will just keep being received by those who have the faith that God's love is truly present at this sorrowful time. I, for one, know this is abosolutely true, even though I admit that my little angel tries to tell her mom to "Get a grip" as maybe I take "signs" a little too far. But, you know, if it makes me feel better, what the heck!!! When a loved one dies, especially your child, a person has to dig really deep and learn so much more. Thank you Judy for writing this much needed book, to let us all know we are not crazy!!! Most importantly, thanks for letting us all realize our children are okay. I believe all parents only want their children's happiness and peacefulness with no worries or pain. Now, I realize my angel and many others have this. So, I tell others, when you see us cry, it is not for Chrisite, but for us who, of course, miss her so deeply. But is she okay?? You bet, and I can't wait till our entire family will one day be together again. Read this amazing book and feel your own signs at your time of grief. With faith in God, and listening to your innermost feelings, you too will realize what Judy herself tries to convince others what she has truly felt and come to believe on her amazing journey--our kids live on and they are okay.

Judy Collier's remarkable autobiographical book, Quit Kissing My Ashes: A Mother's Journey Through Grief, is the powerful, profound, and intensely personal testimony of a teacher of special-needs children and bereaved mother whose beloved son Kyle died in 1996. Her intense mourning and her soul-deep grief are candidly presented, as is her eventual consolation obtained through working with a spiritual medium who was able to make her son's presence known to her on multiple occasions. We are compelling presented with Collier's personal experience and understanding that death is a only a beginning, not an end, and that the ones we love are always present with us in spirit. An uplifting, deeply moving book, Quite Kissing My Ashes is highly recommended for students of metaphysical studies in general, and anyone who has ever lost a loved one, in particular.

Jan's Rainbow combines inspirational words of comfort and wonder with pragmatic advise to survive major changes as a result of the death of a loved one. Lindsay Collier brings tears to the eye and hope to the soul as he recounts the events following Jan's death - his own emotions as well as the mysterious appearance of rainbows. He also provides sound wisdom based on his own experience of surviving loss. A moving and informative book.

The signs that our loved ones send us just reinforce that they are still around us. Although their physical bodies are gone, their spirit lives on.

If you have a love one, if one of your love ones has passed away then this book will be a beautiful and touching read for you. It is filled with the stories of many people.

Lindsay honored me when he was writing it by asking me to share some of my stories about rainbows in my life. With his guidance I combined a few of them into a single story that he included about rainbows and my beautiful wife Merry.

After reading this book my hope for you is that you will never be able to look at rainbows the same way ever again.

Buy this book. Read it. And then from then on share the wonder and beauty of rainbows for the rest of your life.

This is by far the finest computer book I have ever read. I recommend this book to people wanting to install and use Samba because no other book, HOWTO, or online forum explains SAMBA so well. I also recommend this book to people just getting their feet wet with networking because it comprehensively examines both Linux and Windows networking issues in an extremely easy to read, step-by-step way.

This book has screen shots -- a lot of them. This book has examples -- a lot of them. This book has very easily followed writing that tells you how to set up your Linux and Windows machines and how to get Samba going. The book sits down with you, rolls up your sleeves, and shows you how to progress in a way that yeilds desired results -- Samba installs and works on your network! It blends instruction with just the right amount of background explanation without forcing you to read page after page of useless, smothering detail. A lot of authors would be well advised to achieve this kind of balance in computer books and darn few succeed. I had my Windows box talking to my Linux box via Samba in just a day. I spent about 2 weeks going over the book and studying my existing Windows network before making any software changes whatsoever.

This book offers a comprehensive networking fault tree people new to networking will find extremely useful. Follow this fault tree and you will be able to correct general networking problems as well as specific Samba problems. When I had networking problems back when I first got into Linux with Red Hat 6.0, I could have fixed them with this book's fault tree. It would have saved me hours of frustration to have worked through this book's fault tree.

I think everyone wanting to connect Linux boxes to Windows boxes should rush to order this book and then spend 2 weeks reading it cover to cover before messing with ANY network settings. You will be rewarded for your money and patience with results and a feeling of genuine accomplishment.

I've noticed a trend in Linux books where the authors like to waste space and reader's time with useless banner "warnings" and sometimes repetitive moralizing. Some writers print warnings every 2 pages and sound as bad as hoax emails. Well you won't find many warnings in Using Samba. They are worth reading when found.

As far as I can see, there are only 2 bad points about this book and you can't blame the authors for them: unless it is lovingly revised in a new edition, increasing rollouts of Windows 2000 will rapidly obsolete the excellent Samba advice you can get here. As of this writing (August 2000), Windows Millenium Edition will be available to consumers September 14, and depending on sales this may help obsolete the book also. The second bad point is that Samba has not gone into a new version which can deal with Windows 2000 and Millenium Edition yet. It is still stuck at 2.0.7. Hopefully the Samba team will release a new version in the near future covering Windows 2000. And I sure hope The Samba Book, as it is called, is revised to cover the new Windows products!

O'Reilly sets the standard by which all other technical publishers should aspire; their books are technical, dense, and personally, I love the pithy, no nonsense tone. I have never been disappointed with an O'Reilly book. This book continues the tradition of above par books and I can attest that hands down, this is the best book available on Samba.

Remarkably, the information inside is aging very well. While it doesn't cover the most current version of Samba, this book is by far the most informative and helpful on the subject available.

While the book is fortified with examples, screenshots, and an easy to read style, by far my favorite portion is on troubleshooting (complete with a "fault tree"). It is just a way of systematically approaching connectivity problems in relation to the samba server.

I mean, really, what exactly is "System error 53?" This book won't tell you outright, but it will help narrow down the problem to solvable proportions.

The included CDROM also includes a mirror to the official Samba FTP site, including sources, binaries, documentation, and utilities.

When I have Samba configuration problems, or questions pop up about Samba, this is the book I reach for. If pressed for time and pressed for answers by coworkers, I have been known to pull it off the shelf and lend it out.

This is THE book for samba configuration. No two ways about it. This book rules.

These guys really want you to succeed an not only working a half-decent smb.conf file to implement a file server or print server but REALLY work your servers by creating stable, secure configurations where you do know what the options mean so you are implmenting knoweldge rather than mimicking the actions of others: lending robustness to your servers. It also help when you need to troubleshoot that you understand what you've done. Listen to these guys and that's what you'll accomplish: understanding. There is also good documentation on configuring various windows clients (as well as some insightful opinions on windows and it's failings and foibles: eg. Windows XP home being almost useless in a domain environment)

Lots of really good knowledge here. Pick it up and read it NOW! And then read it again.

To top it off, it is also very well written and easy to read! You now have no excuse not too...:)

The last thing that this book needs, is more words, because it's speaking for itself. But still, I can't be without saying, that this was one of the best science fiction books beside "The Time Ships" by Stephen Baxter or "The City And The Stars" by Arthur C. Clarke. Despite the fact, that it told the story about the end of the mankind, it gave me so much comfort and feeling of piece thinking about our future in Clifford D. Simak's way. And, beside all this, it was interesting to read for the facts seemed to be quite realistic in every way. Big thanks to Clifford D. Simak for writing the book!

This book was originally published in 1952. It is an anthology of sorts, consisting of "City", "Huddling Places", and "Census" (1944). "Paradise" and "Hobbies", 1946, "Asoep", 1947, and "Trouble with Ants", 1951.

It is extremely interesting how insightful Simak was about the impact of technology on the decentralization of knowledge. Witness the present medium. I orginally read the book about 25 years ago..... it seemed an unlikely although entertaining scenario. Still is but highly entertaining. Probably one of my all time favorite Sci-Fi along with "Earth Abides" and "The Postman".

City tells the story of mankinds' relationship in the distant future with his environment. The ants, the Robots, Dogs. I first read this story when I was in junior high, some twentyfive or so years ago. I still remember the story of the ants and mankinds' acceptance of itself. This book had a profound effect on me and will stay with you for years to come

For those who have never read AE Van Vogt, this is a good book to start with. AE apparently has written many books, and most are hard to find, except perhaps in stores devoted to science fiction, or used bookstores. Voyage starts off intriguingly and never lets up on the adrenaline rush. Its main character, Grosvenor, is the kind of strong, resourceful character that you find in the best of AE Van Vogt. No one writes like AE. He is truly in a class with the best sci-fi writers. In fact, there are only two that I really like: AE, and Isaac Asimov. Voyage is one of his best. Definitely recommended

I read english fairly well but my writing is not very good. So I thought that my comments in one line were enough. But I must say, that in the 7O's when I read this book it impressed me enormously and I thouth that nexialism were a real science. The Voyage of the Space Beagle is one of the best science fiction books of all times.

One of Van Vogt's most loved books, I have to admit that there was a certain thrill in here that was lacking in "The World of Null-A" probably because it's much less based in an unfamiliar philosophy, but at the same time it's much less complex. Still for straightforward authentic Golden Age SF it doesn't get much better than this. Basically you have four stories (it's all treated as one story but it's four separate situations) of the crew of the Space Beagle as they explore the vast reaches of space. Each is a little mini-adventure, two involve horrific aliens, one is a tad dopey and the last involves an alien so big that only in the Golden Age could you get away with it. Beyond the ideas the stories themselves are exciting, even if in the beginning the crew comes off as a bunch of total idiots (twice they bring the alien onto the ship! twice!) and they never really stop being self centered. Much of the book is seen through the eyes of Grosvenor, the new guy with the new science of Nexialism which is apparently a way to integrate all the sciences, among other things . . . unfortunately this means that the stories fall into a pattern where everyone has the wrong solutions to everything because they are self centered and can't see past their own disciplines until Grosvenor basically forcefeeds them the solution. But, as typical for novels from this period, you don't read them for the staggering charactizations but the ideas and Van Vogt writes like a madman here, cramming so many fanciful into each chapter and making you believe them that you find yourself devouring the book more than reading it, especially the bits with the aliens (the second alien was an obvious influence on the movie Alien, right down to it picking people off in the ship) which are genuinely frightening . . . it's a credit to Van Vogt that he can write the scenes from the aliens POV convincingly, sometimes more convincingly than the people. It may or may not be his best book, but it definitely ranks as one of the few all out fun classics from the Golden Age of SF. Sadly it's only available used these days but even then a little searching can probably dig it up.

John Bellairs is best known for his children's thrillers, but he also penned one of the best horror-fantasies ever written (a sadly neglected field, only ventured into by a few). My old paperback copy has a quite from Ursula Le Guin, stating that Bellairs "knows what wizardry is all about." Boy, is she right.

The book starts at the home of Prospero, a reclusive, good natured wizard with an obnoxious talking mirror and a lot of very tacky clutter. His friend Roger Bacon arrives at his home, only to find that sinister forces are creeping toward Prospero's home: an enormous moth that gives them a creepy feeling. Gray-cloaked figures lurking outside. A skeletal bird fluttering at the window.

Roger brings news about a strange book; Prospero realizes that there is an old enemy, Melichus, gaining power to destroy him. He and Roger set out on a hazardous journey across the geographically simple land, ruled by a rather unimpressive king, to find and unravel the mystery behind this strange growing force for evil.

More than once, Prospero and Roger will hit a dead end, be deceived by an evil illusion, or face the horrifying effects of their enemy. And the final battle in this book is unlike any battle of wizards ever seen before.

This book is very difficult to summarize, as some things simply don't click into place for a long time. It is, additionally, not a book that you can really skim. I read the book once, said "What?" on the last page, and had to go back and reread the climax.

This book lacks, in parts, the humor so necessary in Bellairs's books to keep the protagonists from going insane. Long stretches have nothing funny at all; we do have the irritating, singing magic mirror, the attack of the troll on the mini-boat, and the ridiculous rhyming spells that the wizards often utter: "Trying to find out if/(Hagiographically)/John of Jerusalem/liked almond paste..."

This book also defies fantasy cliches; the world that Prospero and Roger live in is very simple, not filled with dark fortresses and castles, but with ordinary villages connected by roads and woods. Evil, in Bellairs's world, is not something that sits on a throne and gives sadistic orders; it creeps into cracks and crevices and flits out at people. The "moth" scene manages to give an ordinary annoyance a feeling of horror; the scene where Prospero finds the innkeeper, and his subsequent escape are some of the most effectively creepy scenes I've ever read. He does so without gore or gimmicks; half the horror is not knowing what is conjured by Melichius.

Prospero is a quietly likeable character; his quirky house endears us to him, as does his reaction to the magic mirror. Roger is a little less defined, as the real him appears throughout a relatively small amount of the book. Other characters flit in and out.

Wizardry in this book is more than incantations and walking around with a funny hat (which neither of the characters has). I liked the description of the final duel between good and evil; also the effect on a wizard's staff when the wizard dies. Bellairs's wizardry is not flashy or show-offy, but a serious practice.

This book is relatively short, only about 180 pages; some kids may be a bit confused by the complexity of it, though. However, this is a delightful read...

Prospero, an eccentric wizard living in the Southern Kingdom, has begun to experience something new to him, fear. Nightmares visit him, unearthly shadows dance upon his walls, and dreadful apparitions accost him. When his friend, Roger Bacon, returns from England with shocking news about an eldritch book, he realizes that someone is gaining great power, and that someone wants Prospero dead. And so, Prospero and Roger set off on a quest to unravel the mystery and stop someone who may now be the most powerful wizard in the world.

This book contains one of the most wonderfully unique stories I have every read! It is gothic horror, but one where the protagonist is a wizard. Unlike the wizards presented in many stories however, Prospero often finds that his powers do not help him, and that he must confront the horrors or flee from them, the same as any other man. Through it all, the story portrays a gentle humor that makes it such wonderful reading.

I really enjoyed the black-and-white illustrations provided by Marilyn Fitschen (though this may be only in certain editions), their stark nature adds greatly to this suspense-filled story. I highly recommend this story to any fan of fantasy literature, or player of D&D!

My initial reading of this book was when it first came out in paperback in 1978. This isn't by way of bragging, but simply to point out that it impressed me so much that I still have that very copy of the book, despite many relocations and resizings of my own library. For its time it was so unlike any other fantasy book that it made an immediate impression and has continued to do so to this very day.

Written with a deceiving simplicity that, no doubt, owes its origins to Bellairs' many successes as a writer of horror fiction for young adults, 'The Face in the Frost' is the tale of two wizards who must prevent the completion of a spell so awful it would bring the ruin of their world. When Prospero (not the one on the island) finds his comfy and peculiar home under siege by baleful magick he is alarmed. The appearance of his old friend and co-wizard Roger Bacon (the very one) only confirms that ominous portents are about. Faced with giant moths and a force of giant menacing shadows they make their escape, bent on finding the source of the problem.

In short order they realize that someone is in the process of activating a spell inscribed in a legendary tome. They must face illusion, traps, and even death trying to discover the identity of the book's new owner. And then, once the identity is known they must wrest the book from its keeper's grasp and bring it to destruction. In a trick unknown since Aristotle's Cave, Bellairs manages to fit this detailed and wide ranging quest into a novel of less than two hundred pages. For this accomplishment, if no other, Bellairs deserves a great deal of appreciation.

Bellairs characters are gem-like, as is the world in which they move. The tone of the narrative is quite humorous, with Prospero and Bacon getting much of the credit for keeping up a banter full of strange twists that seems to wander at will across time and place without any disastrous side effects. The narrative, in contrast, is quite chilling. Bellairs shows a fine ability to create suspense and horror without having enormous quantities of gore splattered over the pages. On several occasions I found myself unexpectedly spooked by what on the surface was comparative mild-mannered prose.

For all the time I've had this book I have always been surprised that I haven't come across more of Bellairs' work. It is only recently, thanks to the Internet, that I discovered that Bellairs was pre-eminently known as a writer of youthful fiction, and that he died prematurely. In retrospect, it is probably only a fortunate accident that 'The Face in the Frost' crossed over into adult fiction. It certainly could be read with great enjoyment by anyone who can cope with Bellairs clear but literate writing style. Lest I forget, the story is accompanied by many wonderful illustrations from the pen of Marilyn Fitschen, which the reader will find as pleasant as the story.